The violin was his passion, so much so that in 1797, he published a pamphlet on the changing style of violin-playing between the Baroque and Classical eras, called Metodo per Violino. He ended up composing a handful of notable works, but his “educational” pieces are definitely the most well-known and still studied today in conservatories. Campagnoli wrote 30 Preludes for violin in all 24 keys, 41 Caprices for solo viola, and other Divertissements.
Their now-classic debut, Music Has the Right to Children, contrasted starkly with the clinical, busy, and hyped sounds of 1990s techno. In retrospect, whole genres such as chillwave and lo-fi rap would sound vastly different without having been able to walk the trails laid down by Music Has the Right to Children and Boards of Canada’s other releases.
Take the next steps in your music career with Soundfly’s curated Hustle series of articles and popular online course offerings on topics like how to book a tour on a shoestring, how to get all the royalties you never knew existed, and how to let your fans fund your next music project! Use code FLYPAPERSENTME for 20% (that’s $100!) off any course on the site that isn’t free!
Donate guitars to schools
You can even take this a step further and cross-reference your streaming metrics with your Next Big Sound analytics to discover some really powerful insights about your audience and understand which efforts are feeding into one another.
This mentored online course is the brainchild of composer, educator, and cultural diplomat Charles Burchell, and provides a deep, well-rounded understanding of the subtleties of hip-hop beat production. We cover areas of producing hip-hop such as: writing beats and bass lines from scratch, creative sampling techniques, arranging and songwriting, mixing, and more, with a specific eye to hip-hop’s many subgenres.
It’s right there in the title — you’ll be able to make music in Logic Pro X! By the end of this course, you’ll be comfortable writing and editing complete tracks in Logic, and starting to get your mixes sounding awesome in a rough state.
“Thunder”: The “All the Diatonics” Award goes to this song, with all six main diatonics used! Every chorus is a little different lengthwise, so that’s cool, too. The bridge is really an instrumental, but I’m still calling it a bridge because of the new harmonic material.
Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.
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Where to start! Mica Levi has been dancing to the beat of her own drum since she started making music. Just 32 years old and already an international star composer and producer, Levi is also the lead singer of the experimental pop group Micachu and the Shapes. After four years studying at the Guildhall College Of Music and Drama, Levi launched into the world of film scoring creating an incredibly original score for Jonathan Glazer’s debut film Under the Skin. Both her score for Under the Skin and her later work on Pablo Larraín’s Jackie won her BAFTA nominations and an Oscar nomination. Fast becoming one of the most original and sought-after film composers out there, if you don’t yet know her music I highly recommend you make its acquaintance!
We have George Frideric Handel to thank for the next example, in a melody that would later be adapted as the holiday standard, “Joy to the World.” The minor second interval here appears with the lyrics “joy” and “to” at 0:04 in the version below. Easy enough!
In his case, that’s a lot of pop-punk and a variety of indie rock. Yes, Sawyer has developed a keen appreciation for The Gaslight Anthem, The Front Bottoms, and The Arkells. Never let it be said that he doesn’t have taste!
Sure, total streams are a factor in determining your payout from streaming services. But assuming you’re among the vast majority of artists who aren’t quite making the big bucks from streaming royalties (or not yet, at least!), it’s much wiser to focus on quality over quantity.
Without the internet around to provide an unbroken timeline of artistic events to a potentially endless landscape of wandering eyes, records that couldn’t achieve access to a viable fanbase in the 1980s have mostly, inevitably found themselves buried in the sands of time forever. Many creative masterworks, no matter how well-appreciated at the time of their initial pressing — if mismanaged by independent, boutique labels that couldn’t stay afloat financially — have either approached or gone completely off the cliff edge of existence. But thanks to the interplay between user-submitted content on the web and the way platforms help listeners discover it, some records do actually manage to climb back out of the sand.